Am I Bizarre Once i Say That How To Make Love To A Black Woman Is Useless?

Am I Bizarre Once i Say That How To Make Love To A Black Woman Is Useless?

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You are a powerful, black lady, is that statement a compliment, a burden, a fact or a fantasy? Welcome to the show. The e book is "Fierce Angels: A powerful Black Girl in American Life and Tradition." It was written by Professor Sheri Parks. There's a brand new e-book on the market that explores the origins of the thought and its psychological and emotional value. She joins us from WYPR in Baltimore.

Professor SHERI PARKS (Creator, "Fierce Angels: A robust Black Lady in American Life and Tradition"): Hello.

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KEYES: So, former Essence editor Susan Taylor said your book opens a window onto female black energy, each the reverence for it and what it's wrought. Is that what you had been setting out to do?

Prof. PARKS: Effectively, sure, I was making an attempt to explain one thing that was going on in my own life and something that I noticed in different women's lives that we had been dwelling, however not understanding. So, yes, that's precisely what I was attempting to do.

KEYES: Discuss to me about who you see as sturdy, black ladies at the moment. Our first lady Michelle Obama, Oprah Winfrey, who else?

Prof. PARKS: Nicely, there are definitely those, but there are many girls in everyday life. And, really, I am even more involved about them, those girls who develop up with the expectation that they are going to take care of everyone, and individuals who count on them to take care of everyone. I'm suggesting that black ladies already have an organically grown, traditional mannequin of feminine energy that they use to move by the world, but that the expectations which can be placed on them due to that are often exhausting.

KEYES: Let's take heed to a clip of Oprah from the movie "The Shade Purple," where she's playing the wonderfully robust character Sofia.

(Soundbite of movie, "The Shade Purple")

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Ms. OPRAH WINFREY (Host, Actor): (As Sofia) All my life I had to fight. Lady, little one ain't secure in a family of males, but I ain't never thought I needed to combat in my very own house. I had to battle my uncles. I had to battle my brothers. However I'll kill him lifeless before I let him beat me. I loves Harpo. God is aware of I do. I needed to struggle my daddy.

KEYES: I'm wondering, Sheri, is it that Oprah or the eternally empathic talk host Oprah that embodies the strong, black girl or is it both?

Prof. PARKS: Effectively, each. And there's a quote in the ebook from Coretta Scott King who says that black girl are sturdy as a result of they've needed to be strong. Certainly in "The Coloration Purple," Alice Walker is attempting to say something about black ladies being created by the circumstances of their lives. And certainly that's there.

However, also, I do not suppose that you could explain the sheer power that Oprah has in American life without referring again to this image. However she's additionally, I think, learned to look after herself, which is something that many black women aren't giving themselves permission to do.

KEYES: I am fascinated that you simply stated that, as a result of I remember Octavia Butler's sci-fi novel "Kindred," the place she travels again in time and ends up having to help her white slave-proudly owning ancestor and injures herself actually badly in the process. How much is that this pleasant savior idea affecting girls?

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Prof. PARKS: Properly, one of the things that - I am by no means saying that black women are the only strong women, I am saying that black women are the girls in this culture who are frequently celebrated for being robust. And that i mean soiled in the entire ways in which we will consider that. And so, traditionally there are conditions the place the 2 images are performed against each other, actually during slavery, the weak, fragile, white Victorian best of a white girl was solely made potential because there have been black ladies round to do the soiled work.

I additionally say that that image is one thing that has possibly been preserved the sturdy lady has been preserved by black ladies, when all ladies sooner or later of their lives should be sturdy. And it is one thing that we train in our girls and one thing that we develop up anticipating to should do and that different individuals anticipate it of us. Perhaps black girls have many extra circumstances during which they need to be sturdy.

KEYES: But hasn't that image nearly been co-opted by the those that paint black girls as indignant? Is that who we are? They're, like, there's that African-American woman strolling down the street, or more correctly, strutting down the street carrying her sword and shield.

Prof. PARKS: No, that is not who we are. But, I imply, you used the phrase co-opted, and I feel what's necessary to grasp is that this function is nearly always co-opted indirectly. And in the event you consider the pictures, we frequently see that strong, black girl in the function of the lieutenant, the place she's working for the good thing about another person. Definitely in slavery that strong, black woman was literally co-opted for the usage of the slave grasp.

Black ladies usually really feel that due to that, that this is a role that we should run away from. And I'm saying, you probably have a task in a culture that has such a strong and historical presence in a tradition, perhaps we must always turn around and take a look at it, which is what I am making an attempt to do in "Fierce Angels," is to have girls have a look at this picture and see for themselves what they need to do with it.

KEYES: I need to talk a bit bit about Hattie McDaniel, the mammy from the movie "Gone with the Wind." You are saying that the notion of her is because folks don't understand who she is. She's been misunderstood. And as a substitute of being this subservient particular person, she was truly infusing her roles, and that position specifically with some challenge and pushback.

(Soundbite of "Gone with the Wind")

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Ms. HATTIE MCDANIEL (Actor): (As Mammy) I have instructed you and instructed you you can all the time tell a lady by the way that she eat in front of parents like a fowl. And that i ain't aiming so that you can go to Mr. John Wilkes's and eat like a subject hand and gobble like a hog.

Ms. VIVIEN LEIGH: (As Scarlett) Fiddle-dee-dee. Ashley Wilkes told me he likes to see a girl with a wholesome appetite.

Ms. MCDANIEL: What gentlemen says and what they thinks is 2 different things. And i ain't seen Mr. Ashley asking for to marry you.

Prof. PARKS: Should you really go and watch the movie, she does an infinite quantity of fussing within the film. She would say, aren't white individuals silly to assume that these women who work for them love them that much? And one of the issues she did was to mock the image of the mammy. She had a racially uplifting theater career earlier than she went to Hollywood. What Hattie was doing at that second was being subversive. She's a nasty maid.

And she thought she may carry that image into Hollywood and naturally discovered that Hollywood wasn't so much interested by that. And so we actually do misread and i say that usually African-People have given away their foremothers to this image of the mammy. But she continued to try to infuse subversiveness into her roles. And if you return and have a look at what women who're enjoying those mammies, ladies who have been really living the position as mammies, they had been typically working very arduous to use what power they had for the benefit of their households and their communities.

KEYES: You're listening to inform ME Extra from NPR News.

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We're talking concerning the image of the strong, black girl with Professor Sheri Parks. She's author of "Fierce Angels: A robust Black Girl in American Life and Culture."

Sheri, I wished to speak to you about the sacred, darkish feminine this historic archetype that you have been speaking about. Actually, this picture has been alongside all the way again to how many hundreds of years?

Prof. PARKS: It is back to the first recorded creation tales where and I'm very eager about the fact that particle physics says essentially the identical factor, that earlier than there was anything, there was darkness. But in fact the historic mythology said, after which she gave birth and the world begins. And so this may be very... I discovered cases of the sacred, dark feminine on every continent.

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KEYES: Really? As a result of I've seen mother-pushed cultures, but I feel I've seen that largely, like, among the Vikings and that sort of thing. Was it actually it is Africa, it is in every single place?

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Prof. PARKS: It is all over the place. I imply, they are everywhere if you begin on the lookout for them. What you saw is that the Celts actually held onto it overtly longer than any European individuals. There are dark Madonnas throughout South and Central America. But there are black Madonnas throughout Europe. There are the Native American corn goddesses.

KEYES: It's fascinating again that you simply say that. We had been speaking earlier concerning the image of the sturdy, black girl being hijacked. If there's all this reverence for this particular person, how can that be? And between the campaign to paint the primary lady, Michelle Obama, as an angry, black lady, there is a movie known as "Diary of a Drained Black Man," I mean, if you learn a few of the media out there, it seems like nobody values an African-American woman's energy or her heart.

Prof. PARKS: Nicely, the flipside of reverence can be concern. All people needed to do was attach the label to some pretty non-indignant behavior. Definitely Michelle Obama was painted as an angry, black girl and discover, with very little proof. And that's why so lots of the most popular photos are with her beneath control. However the label alone had so much currency and worry connected to it. That idea that this sturdy, black lady is going to be out of management is important to grasp.

And that idea that the strong, black girl out of management becomes this out of management, indignant picture is a very harmful one for black girls as a result of when folks worry someone, they'll attempt to harm them. And, two, that if they are not in command of her, she is going to get out of management. And I think many black ladies have found that often they've been hurt by individuals who, one, assume that she cannot be damage. That she's too sturdy to be damage.

KEYES: Sheri Parks, writer of "Fierce Angels: The Robust Black Lady in American Life and Culture," joined us from our member station WYPR in Baltimore. Thanks much for an fascinating conversation.

Prof. PARKS: Thanks.